Hole in the ground with various rocks and other objects scattered amongst the dirt.

Another season of archaeology underway!

The sixty-sixth season of archaeological excavation at Michilimackinac began on May 28. This season will be a continuation of the trader’s house we have been excavating since 2007.

Southeast cellar floorboards and wall planks.

 One of the reasons the project has taken so long is that the house has two cellars. We are nearing the bottom of the east section of the southeast cellar; the west section was completed in 2021. Several of the cellar wall planks and a floorboard were exposed at the beginning of the season, but we are in the process of removing them. Only a few houses at Michilimackinac have two cellars. We believe this is the sign of a successful trader with a lot of merchandise to store.

Blue and white tin-glazed earthenware bowl.

 Our other focus for the summer is excavating the area of the north wall of the house and the porch. Parts of the British-era north wall trench are beginning to appear. If this house follows the pattern of previously excavated units of the Southeast Rowhouse, the French-era north wall trench will be slightly lower and to the south of the British-era trench.

Fragment from a scratch blue stoneware vessel.

 One of the characteristics of this house in previous seasons has been the variety of ceramics recovered. This season has been no exception. So far, we have uncovered a piece of a blue and white tin-glazed earthenware bowl and a base fragment from a scratch blue stoneware vessel.

 The excavation will continue daily, weather permitting, through August 17. The site is located just south of the parade ground within the walls of Colonial Michilimackinac.

A brown-looking bowl that was used as a milk pan. This dates to the 1700s.

Moving Day

Most of us have had the experience of moving from one place to another, deciding what to take and what to discard, packing everything, transporting it, unpacking, and rearranging our belongings in a new setting. In the summer of 1781, the residents of the Southeast Rowhouse at Michilimackinac had that same experience as the garrison and community relocated to Mackinac Island.

 Over the past ten summers archaeologists have been excavating a cellar in the southeast corner of House E of the Southeast Rowhouse as part of the ongoing excavation of the house. It appears that the cellar was filled with objects discarded during the move. These artifacts, especially the ceramics, give us glimpses into daily life in the household.

 We do not know who lived in the house in 1781. The last documented occupant was an “English trader” noted on a 1765 map drawn by Lt. Perkins Magra. Preliminary analysis of material excavated thus far indicates the house was occupied by a wealthy English merchant and his household throughout the British era at the fort.

An off-white plate, dating to the 1700s, that has been reassembled.

Creamware plate reassembled

 One line of evidence used to reach this conclusion is the quality and variety of ceramics found in the house, cellar and yard. The most common ceramic type found in the house is creamware. Creamware was developed in the early 1760s by Josiah Wedgwood when he succeeded in creating earthenware vessels as thin as Chinese porcelain. This plate (left) is the most complete creamware vessel found in the house. The way the sherds were piled when they were found indicates the plate was broken elsewhere and thrown into the cellar.

A Chinese porcelain tea saucer, white with a blue image of trees and plants on it. It dates to the 1700s and has been broken and reassembled, though some pieces no longer exist.

Chinese export porcelain reassembled

 We have also found a nearly intact Chinese export porcelain saucer in the cellar (right). This would have been used for serving tea, an important social ritual for 18th century British people. Expensive tea sets were used to display one’s wealth.

A brown-looking bowl that was used as a milk pan. This dates to the 1700s.

French Canadian terrine

 On the other end of the spectrum, strictly utilitarian wares have been found as well. A French Canadian terrine, or dairy pan (left), is the most intact example. Fresh milk was poured into the terrine and left to sit until the cream rose to the top. Although not intended for display, the terrine demonstrates wealth because it indicates the presence of a dairy animal.

Two white tin-glazed earthenware ointment pots, white. They date to the 1770s and have been broken and reassembled.

Tin-glazed earthenware ointment pots

Over the past few seasons, we have pieced together two plain white tin-glazed earthenware ointment pots (right). These most likely held medicinal salves.

An earthenware bowl, tan in color, with a flared lip.

Earthenware flared cup

 No archaeology project is complete without a mystery or two. We have not yet been able to determine the exact purpose of this flared cup (left). We have only found one piece of a red-edged, white tin-glazed earthenware dish (bottom right). Although this style of ceramic was produced throughout the 18th century, it was most common in the 1730s and ‘40s. Is it a remnant left behind by earlier residents of the house? A family dish brought when moving to Michilimackinac? A cheap old dish bought expressly for a difficult journey to the frontier of the British Empire? We may never know the answer, but it is interesting to ponder these questions.

A portion of a white dish, dating to the 1700s, with a red rim.

Red-edged tin-glazed earthenware dish

 During the 2024 season, programming at Colonial Michilimackinac will highlight the events of 1781 and the relocation to the island. Colonial Michilimackinac opens for the season May 8, 2024. The archaeological excavation will take place daily June 1 – August 17, weather permitting. 

A color painting in a gold frame of Thomas Hunt, who was a commander at Fort Mackinac.

2023 Mackinac State Historic Parks Collections Acquisitions

In 2023, the collections committee accessioned 643 objects into the Mackinac Island State Park Commission collection and archives. In addition to 83 purchases, 560 items were donated to the collection. The summer collections internship program saw the hiring of Kaitlyn Cary from Central Michigan University and Sara Handerhan from Cornell University. They assisted Curator of Collections Brian Jaeschke with the inventory of The Richard & Jane Manoogian Mackinac Art Museum, several historic downtown Mackinac Island buildings and General Storage inside the Heritage Center.

A color portrait of Colonel Arent DePeyster. He is wearing a dress military uniform of the British military. The portrait is in an oval gold frame.

Colonel Arent DePeyster

A color portrait of Rebecca DePeyster, who is wearing a formal dress and hat, in an oval gold frame

Rebecca Blair DePeyster

 In the fall of 2022, Mackinac State Historic Parks was able to acquire two rare portraits of Lieutenant Colonel Arent DePeyster and his wife Rebecca. DePeyster was commandant of the King’s 8th Regiment of Foot at Fort Michilimackinac from 1774-1779. Francis Alleyne painted the images around 1790. The portraits were discovered in a London home and put up for auction. Money from the Jahn Collections Fund was used to purchase and conserve the portraits and their frames. They are currently on display in the Mackinac Art Museum.

A color painting in a gold frame of Thomas Hunt, who was a commander at Fort Mackinac.

Donated portrait of Colonel Thomas Hunt

 The commission received a donation of a framed portrait from a descendant of Lieutenant Colonel Thomas Hunt. Hunt was commander of the 1st Infantry at Fort Mackinac from 1802 – 1804. During this time, Fort Mackinac became the sixth largest U.S. military post with 120 soldiers. Hunt had a distinguished military career starting in 1775 at Lexington-Concord. He served in several battles including Bunker Hill and Yorktown where he was wounded. After the war, he was a major in the 2nd Sub Legion and served during Wayne’s Indian Campaign of 1794, fighting at Fallen Timbers. He was promoted to Lieutenant Colonel in 1802. The portrait was painted on tin circa 1808 and the artist is currently unknown. The painting is undergoing conservation treatment and will be placed on display in the near future.

Two photograph albums

Two of the donated photo albums

 Over the years, Mackinac State Historic Parks has purchased or had donated photograph albums containing snapshots taken by visitors to the straits region. This year the commission accessioned three albums containing several black and white images of Mackinac Island, Mackinaw City and other local attractions. Besides scenes such as Arch Rock, Fort Mackinac and Grand Hotel, the albums contain perspectives that commercial photographers would not normally shoot providing important historical information. Another aspect is images of  everyday people enjoying the sites much like visitors continue to today.

A collection of brochures, photos, and other items related to MRA and the Mackinac College

Donated items from the MRA and Mackinac College.

 Besides Grand Hotel, Mission Point Resort is another Mackinac Island icon. Many of the resort buildings were originally constructed for the group Moral Re-Armament which was an international moral and spiritual movement that started before World War II. In 1942, the group began holding conferences on Mackinac Island and by the mid-1950s had purchased the property known as Cedar Point on the east end of the island. They began constructing buildings using workers from around the world. One of those workers donated several photographs, slides, blueprints and other material related to the construction. In addition, various objects from Mackinac College, which operated at Mission Point from 1966 – 1970, were donated.

 This is only a small sample of the type of objects Mackinac State Historic Parks collects during any given year.  We are always looking for donations and items to purchase which will help the commission to continue its mission of educating the public about the history of the region.

Mackinac State Historic Parks
2023 Accession Gift Donors

Amy Sacka
Large color photograph of Mackinac Bridge in wintertime by Artist-in-Residence
Raymond Gaynor
Framed black and white photograph of sailboats in Mackinac Island harbor by Artist-in-Residence
Becki Barnwell
Black and white portrait photograph of Samuel Bayard and Martha Poole
Copies of Mackinac Islander, The Island News and Mackinac Island News newspapers
James Newton
Souvenir letter wallet and change purse from Mackinac Island
Jeri Gustafsson
Black and white photographs of Fort Michilimackinac, Fort Mackinac and Mackinac Bridge
Joan Vannorman
Black and white photographs of Mackinac Island, Fort Mackinac, Niagara Falls and Parry Sound, Ontario
Patricia Jahn
Woven flax cloth night shirt
Joan Slater
Office paper spike and papers from John Doud store on Mackinac Island
John Polacsek
Georgian Bay Line travel brochures for S.S. South & North American
David Callaghan
New Testament Bible of Jacob Wendell and Old and New Mackinac by Rev J.A. Van Fleet
Kathy Verhagen
Color and black & white postcards from the Straits of Mackinac region
Michael McGarr
Metal artwork of Old Mackinac Point Lighthouse entitled Midnight Light
Kathy Ames
Black and white photographs of the Tootle family, sailboats and Gardiner photographic prints
David Doss
Michigan State Highway Ferry schedule for Fall and Early Winter 1944
Cheboygan History Center
Color postcards of Mackinac Island and black and white photographs of a truck being pulled by horses on Mackinac Island
Dustin Hunt
Pencil sketch entitled Sue by Artist-in-Residence
Kateri Kaminski
Cross, pendants, brooch and earrings made in silver by Artist-in-Residence
Jeri Baron Feltner
Nikonos III underwater camera used to photograph shipwrecks in the Straits of Mackinac
High pressure scuba tank used by Charles Feltner for diving on Great Lakes shipwrecks
Sid Browne
Wooden walking stick crafted by Donald Andress
Phil Porter
Mackinac State Historic Parks employee coffee mug from 1994
Jean Gumpper
Framed woodcut print by Artist-in-Residence
James Swanson
Oil on linen of Round Island Lighthouse and seagulls by Artist in Residence
Marilyn Bachelor
Framed painting by Robert E. Wood entitled From Mackinac Island
Dorothy and Dan Elliott
Framed oil on tin painting of Lieutenant Colonel Thomas Hunt
Anonymous
Real color postcard of Fort Michilimackinac land gate
Harold Kriesche
Clear glass ashtray with letter “L” engraved by Frank Kriesche
Dan Friedhoff
Fire axes recovered from the SS Cedarville shipwreck
Brian Scott Jaeschke
Copy of A Lake Tour to Picturesque Mackinac
Debra Orr
Photographs of Christopher Reeve, Mary’s Pantry, stockade spike, ferry pass, movie ticket and Truscott documents
Douglas McGregor
Moral Re-Armament and Mackinac College photographs, slides, booklets, blueprints, newsletters, records, postcards, Mackinac College letterman patch and stationery
Kyle Bagnall
Three color panoramic postcards of Mackinac Island

 

 

 

 

 

 

 

 

 

 

 

U.S. Army Forage Cap and Dress Helmet

Inspection at Fort Mackinac with soldiers in dress uniform.

The public interacts with our interpretive staff every day, asking questions about the island, fort, and the way soldiers stationed at Fort Mackinac lived when it was active between the years of 1780-1895. One of the main draws, other than the rifle and cannon demonstrations, are the tours, given by interpreters seen in two types of uniforms: the everyday “undress” uniform and the more elaborate “dress” uniform. One of the unique aspects of Fort Mackinac in the 1880s is the balance between its soldiers serving in both military and public facing capacities, which almost perfectly matches the roles of their different uniforms. A big part of how Mackinac State Historic Parks makes sure to best tell the stories of these uniforms, and the soldiers that wore them, is though our collections. Headgear, especially for the uniforms that are worn at the fort, are vital to the overall story that the park tells the public. Two specific items that embody these uniforms are the forage cap and dress helmet.

Forage Cap

 The forage cap, or the wool, leather brimmed cap with unit brass on the front, is an evolution from the forage cap from the Civil War. Mostly worn by officers until 1872, when the whole army adopted them, these vital pieces of a uniform were more commonly seen used during daily duties in and around the fort. For more formal occasions, such as when the public was let in the fort several times a week, they had a different uniform: the dress uniform. This consisted of a frock coat, white gloves, dress collar, and the dress helmet. This helmet had both Prussian and British influences, with a brass eagle plate on the front, and a spike on top.

Dress Helmet

 Both hats are unique in the way they help portray military life in the 1880s, as well as being some of the most recognizable items when the public comes to the fort. Having these items in our collections, furthermore, establishes the importance of public interaction with museums and their objects. Museum collections are often referenced for research, both public and private, and these hats hold significant value for those who want to learn more about the soldiers at Fort Mackinac. Items so easily identifiable and personal, such as these hats, aid in making that connection from the past to the present day, as these are the physical objects used daily by the people who served in the army in the 1880s.

A work party at Fort Mackinac.

 Fort Mackinac, one of our premier sites, benefits from having several items in our collections pertaining to it and the soldiers that were there. Being able to have physical representations from that era, which visitors see daily, is history translated to the present day. They allow the public to get a look at our collections every day, but in the form of a personal aspect, through our interpreters. This makes the park a living representation of its objects, with the interpreters discussing their importance every day, and sharing their legacy with a wider audience. The kepi and dress headgear are vital to the park to tell these stories, as they are an iconic part of the uniform, fort, and overall encompass a crucial period in the islands’ history.

A view showing Main Street on Mackinac Island looking south.

Preservation: Puzzle Pieces to the Past

Mackinac Island is endearingly cherished among visitors for its placid atmosphere that seemingly evades the changing tides of time. From the Anishinaabek belief that tells the story of Mackinac as Earth’s origin land to the cinematic portrayal of time travel set on Mackinac in Somewhere in Time to horse-drawn drays carrying Amazon packages, the island possesses an unyielding autonomy from the effects of time. Consequently, Mackinac Island demonstrates a unique propensity for preservation and it is the Mackinac State Historic Park’s honored duty to uphold the island’s tradition of conservation. An integral component of this responsibility are the park collections. By preserving artifacts, archives, and material culture, the collection pieces together the past to narrate Mackinac Island’s story. While seemingly trivial to a visitor’s Mackinac experience, the collection is fundamental to ensuring that the island’s treasured history is commemorated for the enjoyment of all for years to come. Yet this commitment to preserve Mackinac Island for generational enjoyment is not a modern concept.

A view showing Main Street on Mackinac Island looking south.

William H. Gardiner’s photo of Main Street on Mackinac Island. 

 In 1896, photographer William H. Gardiner established a “Photo and Art Studio” aimed at penetrating the souvenir market that emerged as a direct result of the island’s burgeoning tourism industry. Gardiner initially set up shop on the corner of Main and Fort Streets until relocating next door above Fenton’s Bazaar; today both studio spaces constitute Doud’s Market. Gardiner captured the essence of Mackinac Island and preserved its visual history through his photography. His products included keepsakes, such as postcards, hand-tinted photos, and portraits, that memorialized a visitor’s time spent on the island. Gardiner’s photos depict the island’s most unique and treasured attractions, such as Arch Rock, Sugar Loaf Rock, and Main Street. Similar to the collection’s commitment to conservation, Gardiner’s images preserve special moments in Mackinac’s history for reminiscing and nostalgic wonder. The collection and Gardiner’s parallel dedication to preservation can be most explicitly seen in one of Gardiner’s downtown depictions.

Fenton's Bazaar on Mackinac Island.

Fenton’s Bazaar, the location of Gardiner’s studio. 

 At the beginning of the twentieth century, Gardiner stepped out on the balcony of his studio and, struck with inspiration from Mackinac’s vivacious downtown, immortalized a buzzing afternoon on Main Street. This image excellently captures the key components to a day on Mackinac, including a car-less atmosphere, military tradition, and bustling businesses. Some of the storefronts highlighted in the image are Fenton’s Bazaar and Bailey’s Drug Store. These businesses were pillars of Mackinac’s economy around the turn of the century. Dr. Bailey, the son of the surgeon general at Fort Mackinac, served his community as the assisting surgeon and pharmacist, ensuring the health and longevity of Mackinac’s people. Fenton’s Bazaar was a one-stop shop for soldiers, islanders, and visitors alike for all the necessities for life on the island; Fenton’s even introduced the island’s first soda fountain! Fortunately, these businesses and their immense impact on Mackinac’s daily life are remembered beyond Gardiner’s image.

Bailey's Drug Store on Mackinac Island.

Bailey’s Drug Store.

 The collection has preserved numerous Bailey’s Drug Store bottles, which represent Dr. Bailey’s committed service and contribution to Mackinac’s medical history. Additionally, the collection possesses an American flag that flew above Fenton’s Bazaar. This flag, which watched over Main Street and witnessed the ebbing and flowing of countless visitors, encapsulates Mackinac’s continued reputation as “America’s Summer Place.” Also in the collection is an image of downtown that is a near copy to Gardiner’s aforementioned photograph. Yet the picture was taken decades after Gardiner’s and is the work of another artist. Taken from the same angle, this picture illustrates a similarly hurried downtown speckled with visitors, carriages, and storefronts. Comparing this image to Gardiner’s, the atmosphere of downtown remains unchanged, yet the storefronts have clearly evolved. For instance, the New Murray stands as the latest addition to the collection of hotels, souvenir shops, and restaurants that line Main Street. Meanwhile, a stroll down Main Street today will still evoke the same timeless ambience found in Gardiner’s image.

Another image of Main Street on Mackinac Island looking south.

Looking down Main Street. 

 Although shop signs have changed, Mackinac’s timeless energy endures. Similar to how Gardiner captured the views of Mackinac to commemorate a visitor’s special experience, the collection plays a crucial role in maintaining Mackinac Island’s abiding charm. Yet preserving history goes far beyond the sweet nostalgia of family vacation postcards. The collection pieces together the past like a puzzle by linking artifacts to moments somewhere in time in order to write the story of the island for the enjoyment of generations to come.

 

A Closer Look at the Collections: Cameos

One of the next major projects for Mackinac State Historic Parks will be the reconstruction of a unit on the Southwest Rowhouse at Colonial Michilimackinac. To prepare, MSHP staff have been going over the archaeological records and artifacts from the 1960s, when the unit was originally excavated. Today, our Curator of Archaeology, Dr. Lynn Evans, is looking at a cameo ring recovered in 1962.

2022 Mackinac State Historic Parks Collections Acquisitions

In 2022, the collections committee accessioned 176 objects into the Mackinac Island State Park Commission collection and archives. In addition to several purchases, over 90 items were donated to the collection. The summer collections internship program was restarted and Kendra Ellis, from the Maritime Studies Program at East Carolina University, was hired. She assisted Curator of Collections Brian Jaeschke with the inventory of Fort Mackinac buildings and Special Storage inside the Heritage Center.

 In 2010, five pen and ink drawings of Mackinac Island were loaned to the park for exhibit in The Richard & Jane Manoogian Mackinac Art Museum. The loan was changed to a donation early in the year. The five drawings were done in the early 1840s by Francis Melick Cayley who moved to Canada in 1836. The views are some of the most precise pre-photographic images of the island known to exist. They are so well proportioned that it is believed he may have employed artificial means to prepare the sketches, such as a “camera obscura,” which permitted projection of a scene onto paper for tracing. The drawings continue to be displayed in the main gallery of the art museum.

 During the course of procuring images for the new Dr. William Beaumont Museum exhibit this winter, the park purchased four paintings of the doctor and his wife from the Wayne County Medical Society of Southeast Michigan. Two of the paintings are miniature portraits of Dr. Beaumont and his wife Deborah. It is believed they were done around the time of their marriage in 1821. The other two paintings are reproductions of images showing Beaumont later in life. The portraits need conservation work and will eventually be placed on display.

 The park purchased two black and white panoramic photographs showing Mackinac Island scenes. The first image, by island photographer William Gardiner, was taken from a naval vessel, quite possibly the USS Michigan. The ship is entering the harbor with downtown, Fort Mackinac and Grand Hotel visible. The second image was taken by H.J. Rossiter from the fort pasture and shows the officers’ and commanding officer’s quarters, Fort Mackinac and Trinity Episcopal Church. The images were taken around 1900 and give us a unique historic glimpse of the island.

 Donated to the park collection this summer was a painting with a unique perspective from a path behind Trinity Episcopal Church looking toward Fort Mackinac. The oil on canvas by German-born Curt Bielefeldt was done sometime between 1940 and 1960. He lived in Buffalo before moving to Detroit in the early 1930s. He worked in oils and watercolors and was also known for murals. He was a cousin of German boxer Max Schmeling. Bielefeldt won the grand prize in the 1930 Buffalo Society of Artists in the Albright Gallery. His work was displayed in many locations including the Detroit Institute of Art and the J.L. Hudson Company Gallery.

 This is only a small sample of the type of objects Mackinac State Historic Parks collects during a given year.  We are always looking for donations and items to purchase which will help the commission to continue its mission of educating the public about the history of the region.

Mackinaw City’s Petersen Center

While experiencing the cold of winter in Michigan, it’s easy to think of the Straits of Mackinac in warm weather and summer fun. However, you might not realize that there is still plenty happening during the off-season at Mackinac State Historic Parks (MSHP). During the summer and fall, many staff work out of the 1859 Post Hospital on Mackinac Island or elsewhere in the MSHP park system. In the winter, office staff return to Mackinaw City to the Dr. Eugene and Marian Petersen Center. This tradition has its own history that reflects the ever-changing needs of the state parks at Mackinac. 

The house purchased by the commission in the 1990s that served as a collections office.

The house at 207 W Sinclair which served as office for collections staff.

 Starting in 1958, the park began to work in a form much more recognizable to today. Much of the behind-the-scenes work was spread out, with the museum’s operations at various locations around the greater Lansing area during the winter. The park’s collections were split up, with the archaeological collections being housed in Lansing and the historic collection being kept in a series of buildings on Mackinac Island. The permanent staff was much smaller during those times. As the 1970s and ‘80s rolled in, the park had to make several expansions, most notably in the areas of historical conservation, education, and marketing. This required more office space. In 1988 the park constructed a housing unit on West Central Avenue in Mackinaw City for seasonal employee housing; this also doubled as winter offices for much of the staff. Despite having a building for winter offices, the park’s team were also spread out amongst the Colonial Michilimackinac Visitor’s Center and Mill Creek Service Center. In the mid-1990s, the park acquired a house and old motel behind Michilimackinac on West Sinclair Avenue, which would initially serve as an office for the collections staff of the park. 

A photo of the Petersen Center being expanded by adding the former housing unit from Central Avenue.

The Petersen Center during its initial expansion in 1998.

A picture of construction of an addition to the Petersen Center in Mackinaw City.

Expansion of the Petersen Center in 2001.

 This motel would be the beginning of a long-term project to centralize MSHP’s offices, library, and collections, as much of that was still located in Lansing. In 1998, the office/housing building on Central Avenue was moved to West Sinclair Avenue and attached to the house. A further renovation was completed in 2001, adding a two-story addition to the building. This expansion would create enough space for the archaeological collection, library, and conservation lab to be moved from Lansing to the new office building. These changes also allowed for new office spaces for the park’s interpretation, education, collections, and archaeological staff. This building was dedicated as the Dr. Eugene and Marian Petersen Center for Archaeology and History. Dr. Eugene Petersen was director of Historic Projects and later Park Director from 1958 to 1985. His wife, Marian, ran the office of the park. In May of 2019, the park renamed the research library after Dr. Keith Widder, in honor of his long service and contributions to MSHP. 

A board table and chairs in the Commission Meeting Room in the Petersen Center, Mackinaw City.

Commission Meeting Room, Petersen Center.

 The latest addition to the Petersen Center was in 2020, when the west side of the building was expanded to accommodate a new meeting room for the Mackinac Island State Park Commission. These changes allowed for a much more centralized, organized,

The Keith R. Widder Library at the Petersen Center.

The Keith R. Widder Library at the Petersen Center.

and professional running of Mackinac State Historic Parks. Now, staff could conveniently do much of their work from their main office, instead of having to travel to do essential research or care for the ever-growing collection. Different departments were able to communicate with each other much more clearly and quickly with the new meeting spaces. The Petersen Center has served, and will continue to serve, as a great tool for the Mackinac State Historic Parks staff in keeping the park up and running. 

A picture of the Petersen Center in Mackinaw City during winter.

The Petersen Center today.

 

Stereoview of Arch Rock

2021 Mackinac State Historic Parks Collections Acquisitions

A beer stein

A souvenir beer stein

The Grand Hotel Loving Cup

One of the more unique additions: a Grand Hotel Loving Cup

In 2021, the collections committee accessioned 247 objects into the Mackinac Island State Park Commission collection and archives. In addition to several purchases, over 115 items were donated to the collection. Although the summer collections internships were cancelled, the commission was able to hire an intern for the 2021/2022 winter. During the summer, the inventory scheduled for the Mackinaw City historic sites including Colonial Michilimackinac, Old Mackinac Point Lighthouse and Historic Mill Creek was completed. The 2020 winter intern completed the inventory of the archival and postcard collections in the Keith R. Widder Library.

 

 

Ruby mug inscribed by Frank Kriesche

A ruby mug inscribed by Frank Kriesche.

 

A painting of a horse and buggy by Stanley Bielecky

Painting by Stanley Bielecky

As in 2019, several objects were purchased from the collection of the late Ronald J. Rolando. Watercolors and oil paintings by Stanley Bielecky, photographic prints by William H. Gardiner and artwork of many other artists were selected. A unique Grand Hotel loving cup presented in 1894, a souvenir beer stein and a ruby glass mug inscribed by island artist Frank Kriesche were some of the three-dimensional objects chosen. Archival items included an engraving from Henri Chatelain’s early 18th century atlas showing the industry of the beaver fur trade and manufacture, four island hotel menus printed on birchbark and two late 19th century maps of Mackinac Island.

A capstan cover from the SS Chief Wawatam

Capstan cover from the SS Chief Wawatam.

This summer, the commission received a call from a gentleman who had one of the brass capstan covers from the railroad ferry SS Chief Wawatam. The ship had two of these covers which were mounted on top of the capstans on the railcar deck. The capstan is a vertical-axled rotating machine developed for use on sailing ships to multiply the pulling force of seamen when hauling ropes, cables and hawsers. The man’s father had been given the cover back in the late 1980s when the ferry was being scrapped and told his son if he did not want it to throw it away. The son did some research and found the commission had a collection of objects from the ship. After discussion with collections staff, he offered to donate the cover to the commission’s collection. This is a unique piece with the ship’s name, company and shipyard that built the ship and manufacturer of the capstan.

 

A note from W. Stewart Woodfill to a guest from Grand Hotel

Letter on Grand Hotel stationary from W. Stewart Woodfill

Bottles from the Bailey National Park Drugstore

Pharmaceutical bottles from the Dr. John R. Bailey & Sons National Park Drugstore

The commission received several other donations including seven pieces of artwork from the Artist-In-Residence program, a letter on Grand Hotel stationary from W. Stewart Woodfill to a patron and a Westfield Company bicycle belonging to islander Ernst Puttkammer. Two pharmaceutical bottles from the Dr. John R. Bailey & Sons National Park Drugstore were donated by an island contractor and original sanctuary light fixtures were donated by Little Stone Church.

Over the years, the commission has acquired several stereoviews showing Mackinac Island buildings, geological formations, scenic views and other subjects. This year four views were purchased showing the New Mackinac Hotel, Arch Rock from below, Robinson’s Folly and Devil’s Kitchen. Stereoview cards were a popular souvenir in the late 19th century. The three-dimensional views could be purchased from many local stores and taken home to be viewed through a stereopticon. P.B. Greene, J.A. Jenney and Webster & Albee were some of the photographers who took the images and published them on Mackinac Island or in cities around the Great Lakes.

Stereoview of Arch Rock

A stereoview of Arch Rock

A stereview of the New Mackinac Hotel

A stereoview of the New Mackinac Hotel.

This is only a small sample of the type of objects Mackinac State Historic Parks collects during a given year.  We are always looking for donations and items to purchase which will help the commission to continue its mission of educating the public about the history of the region.

 

 

 

 

 

 

A Closer Look at the Collections: Orvietan Lid

It’s time for another deep dive into the collection! Today Dr. Lynn Evans, Curator of Archaeology for Mackinac State Historic Parks, shows us an Orviétan Lid, which was a “cure-all” type concoction popular in the 17th and 18th centuries. The only other known archaeological example we know about is from Illinois.

 This orviétan lid was originally found during work in the Southwest Rowhouse, which was reconstructed in the early 1960s. The house was originally built in the 1730s and demolished in 1781 during the move to Mackinac Island. Mackinac State Historic Parks is currently in the planning stages to complete the reconstruction of that building in the space that is today occupied by the bread oven. You can learn more about archaeology at Mackinac State Historic Parks by clicking here.